i believe that distance is both physical and perceptual.

these photographs move towards horizons, roads, shorelines and spaces that seem to extend beyond the frame. they explore separation: between the viewer and the subject, between one place and another, between what can be reached and what remains out of reach.

when the human figure appears, it is often reduced to a distant mark. its smallness shifts the perception of the surrounding space, allowing the landscape itself to become the subject.

roads suggest passage without revealing the destination. horizons offer direction without resolution. what lies beyond the frame becomes as important as what remains visible.

distance creates a space for projection, a place where looking can move further than the photograph itself.